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effects factory Better late than never: Cine Latinoamericano could not see in national cinema lost

In the recent film festival "WOW" in Wales have had the opportunity to see two films that I had not seen before, and definitely worth a lot of grief. The first is simply to "Travels the Wind "by Ciro Guerra. This travel story bombards us with the most stunning landscapes of northern Colombia and the voices that represent the land away from the noise of cities. Among the indigenous languages \u200b\u200band palisade, and through the most stunning landscapes by human absence, we continue this beautiful journey, with a Ulysses who just wants to return to return what has been executed. This tour is a rack of memory, an understanding of good and evil, won and lost. The cinematography is splendid and simple brevity of us to penetrate in the gestures, movements, and the sounds that lulled the work. The crossing of Ignacio, and Fermin is a journey that borders on the spiritual and passionate part of the music, and its value as part of life itself. Beyond the simplistic narratives so common recently, this work is an exploration of the visual possibilities of film, and reminds us that there are many things that are beyond our vision, and only the jugglers, gypsies eternal, know those parts that exist only in songs and rhythms.

The other film is "Nana" by Sebastián Silva. With a free camera and a concentration in the foreground, Silva allows us to go slowly to the complex character of Rachel, a domestic worker in a wealthy Chilean family. The film does not stop with the simplistic emotional, but we plasma all aspects, including hatred, love, jealousy and secrets that live in that home. Raquel is part of the family, but at the same time is alien to it, living constantly between being the pimp of some and the yoke of others. The story is entertaining, then let us vindicate our own childhood misdeeds, but shows us how the feelings are likely to continue to work the same way as in our childhood, full of fear, of selfishness and lies, but in turn charged love, joy and innocence. This film manages to touch and also produce hope for a general audience. It is not a criticism of the working conditions of domestic workers, but can see some of its unpleasant features, nor is it a constant sanctification of service work. It's a film that lets us understand the importance of making a choice to meet people, to love and to discover who we make our lives better ourselves.

With these two Latin American works are evidence that good stories are made from the narrative and film making, and not from large marketing budgets or exceptional. It is undeniable, of course, that the lack of industrial capacity have these two works has made a gem of film festivals and similar occasions, rather than major cartels in the mall multiplex. Here, however, clearly write my appreciation for this type of work and directors who get a following of their own, among which I consider part. Sure that both my friend and my friend Potter Eastwood agree. What do you think?

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Eastwood his "invictus"


By: Alfred

Eastwood's funny that just me, Alfred Eastwood, then a review of a film of his idol Clint Eastwood that is not full of flowers and gestures of admiration who has been the best film director in recent years. However, it is not surprising that a film like Invictus, which has had very good reviews, not surprisingly, a fan as I used to enjoy his works of art.



admiration for a filmmaker should not fall into the devotion or love sick the first few months of dating, you must have rest and quiet of affection admires, but acknowledges mistakes and failures. I do not want to say that Invictus is a mistake, or even be a clear mistake. I'm just saying that because we are accustomed to see great films, is possible that the requirement for this great director is unfairly high.
To log in, I must say that Invictus is a good movie, though not memorable. In that category could place among the last of the director, Conquest of honor and the substitute. It is good quality movies, great technical bill, a narrative that captures not move too much and a final message rewarding. By comparing these films masterpieces as El Gran Torino or Mystic River, as pale. These exceptions are what make a director's largest, showing that his genius has limits. Invictus
resembles many other films. In fact, to some point might fit into the recipe for sporting prowess "my friend Enrique Uribe and I just published in the book Film: recipes and symbols. It is the story of a hopeless team that obtained by the trust placed in them by the leader who was in turn driven by a top leader with more than enough moral authority. Without being brilliant, the script part of a real story is.
The film is certainly memorable moments as the scene of Matt Damon in the cell of Mandela, Mandela's speech to defend his rugby team and the discourse of Damon at the end of the last game his team lost, but the whole of the story is predictable and the pace certainly narrative is uneven, with moments of genuine tension followed by slow and boring sequences.
The performance of the players is good and the construction of the script may be also some nods to us, "Eastwoodlogos" in the characterization of the character without family, green nostalgic atmosphere and, of course, the ineffable presence of Morgan Freeman (this time without his partner Clint, that henceforth only be behind the camera). What I do mind a little touch is the nationalist pamphlet which, through its Hollywood, remains of the view that the heart can do everything and a group of people ever achieve their dreams just with will and determination. Despite being based on a true story, fiction has its own rules and can not base their arguments on the simple fact that "this happened that way."
Clint Eastwood is the last classic film, as I said in a recent article. We must seize the restless spirits in this frantic race to his eighties has been launched against time to enjoy quiet, like someone tasting a fine wine, each of their works. Not all be masterpieces, but each bears the stamp of a master.

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Supporters Face


By Dr. Egon Deckard

aside reviewing movies that we would not have seen, I would like now to take them to contemplate a dream come true for fans of The Lord of the Rings. " No, not about a look at the production of "The Hobbit" that under the leadership of Guillermo del Toro is ready to be introduced in late 2012. I mean a work created by fans of JRR Tolkien that has attracted much attention in the world.

production is "Born of Hope" produced and directed by young filmmaker Kate Madison and a group of fans who, starting with just an idea for a short film, embarked on the task of making a short feature film about the history Aragorn's parents (the character played by Viggo Mortensen in Peter Jackson's trilogy.) The interesting thing is that the story works without the need to know the intricacies of the genealogical trees of Middle Earth, something that some fans can thank.



But more surprising is that this work, made with a budget that just came to 25,000 pounds (about 100 million pesos, very badly counted), not only shows an excellent quality and a good script built, but has received the approval of fans around the world and has become the new sensation the Internet. The production was developed in stages, constantly showing the progress through its web page ( www.bornofhope.com ) and thus achieving support and sponsorship by fans.

The final product clearly shows that a good idea, coupled with the dedication, you can take advantage of the options open communication on the Internet to gain support, spread, and found in cyberspace the opportunity to present a film project.



As Henry Jenkins had raised in his "Convergence Culture", the Supporters and fans set the standard in this new audiovisual creations that take advantage of the collective memory and identification with certain literary and audiovisual products, to develop stories within the worlds of fantasy become our modern Mount Olympus in our popular mythology. The characters in "The Lord of the Rings" and have become part of our visual culture and the number of films and related to it will be as present as Mickey Mouse and characters of "Star Wars." Film, and their descendants, the short Videocine and YouTube, has become an extension of our sensory space. The stories do not exclude audiences, but allow them to create new elements of mythology.

"Born of Hope" is an excellent example of the culture of convergence. Even the subtitle of the film - which you can see completely through YouTube on the homepage of the project - have been added voluntarily by their "prosumers" - consumers, producers which tells Octavio Islas. Thus, the collective product not only allows the audience to passively enjoy the video, but also allows everyone to feel part of the development and dissemination of the work.

In the specific case of Kate Madison, I wonder if This arduous work of 6 years will serve as a business card to enter the industrial bulldozer that we call Hollywood film, or whether the care provided will allow you to mount your own production company, working with popular support rather than under the scrutiny of studies . It is too early to know what the future holds for this young director, but judging from the response that has had its debut, I'm sure we'll see his name in film posters shortly.