Julio Sosa with Orquesta Francini Pontier
1950
Oscar Ferrari, Julio Sosa Armando Pontier and
Julio Sosa, and Jorge Duran Rotundo Franscisco
Julio Sosa
Alberto Podesta Julio Sosa
Julio Sosa: Sosa, Julio Maria. Cantor. Was one of the most popular vocal performers define the fifties and early the next until his tragic early demise. He cultivated a style characterized by his strong temperament within the compass of male voices began and imposed by Edmundo Rivero.
repertoire included classic suburban-inspired works as Ivette, baiíao I removed it, and Margot Araca heart, although their best moves interpretive caught up with the romantic and melodic tangos, as if the heart does not deceive me, anything that so / or I am. I am the boy, the house of my parents, in this gray afternoon, go early morning, Madame Ivonne exhumed many of which return them to the forefront of public interest. Born in the town of Las Piedras, Canelones, Oriental Republic of Uruguay on February 2, 1926.
repertoire included classic suburban-inspired works as Ivette, baiíao I removed it, and Margot Araca heart, although their best moves interpretive caught up with the romantic and melodic tangos, as if the heart does not deceive me, anything that so / or I am. I am the boy, the house of my parents, in this gray afternoon, go early morning, Madame Ivonne exhumed many of which return them to the forefront of public interest. Born in the town of Las Piedras, Canelones, Oriental Republic of Uruguay on February 2, 1926.
won his life from childhood in various occupations and trades. It began as a singer in her hometown cafes, where the orchestra also joined Carlos Gilardoni. He appeared later in Montevideo and Punta del Este, with the sets of Epifanio Chain, Hugo Di Carlo and Luigi Caruso. With some versions he recorded for Sondor, including the tango Sur, Troilo and Manzi. In 1949 he settled in Buenos Aires where he began singing as a soloist in coffee Chacarita Losander with guitars Cut and Fontana. After a brief passage in the orchestra by Joaquín Do Reyes, Raúl lyricist Hormaza interceded for entry into the Francini-Pontier Orchestra, with which debuted at the Picadilly boite de la calle Corrientes. This stage of his career including stints on Radio El Mundo and recordings for the Victor, which was the first delas Sad Son, a waltz duet with Alberto Podesta.
July debut of the Francini-Pontier orchestra on April 1, 1949, the Corrientes and Parana Picadillyde boite. With it appears in this photo, Alberto Podesta says: "our only AquiEstamos singing duo, the waltz The Son Triste which was also the primeragrabación Sosa in Argentina. To another, with the milonga Pontier A Eyes, but as always we entered wrong and we laughed, Armando took it from the repertoire. "
In 1953 he joined the group of Francisco Rotundo then recording for Odeon and in 1955 to continue Armando Pontier his career as a freelance director, I joined as a vocalist until 1958.Ese whole year, decided to pursue a solo career entrusting the direction of his escort to lead bandoneon and arranger
Leopoldo Federico, with whom he recorded numerous versions for Columbia in which also left some interpretations of the repertoire projection Creole folk guitar frame. He appeared on television and radio, participating in the filming of the movie Good Night, Buenos Aires. Wrote and published a book of poems: Two hours before dawn. He died in Buenos Aires following a car accident on November 26, 1964. Horacio Ferrer in The Book of Tango by Tango and your guests
Leopoldo Federico, with whom he recorded numerous versions for Columbia in which also left some interpretations of the repertoire projection Creole folk guitar frame. He appeared on television and radio, participating in the filming of the movie Good Night, Buenos Aires. Wrote and published a book of poems: Two hours before dawn. He died in Buenos Aires following a car accident on November 26, 1964. Horacio Ferrer in The Book of Tango by Tango and your guests
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