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Sergio Mendes

Sergio Mendes Sérgio Santos Mendes (Niterói, Rio de Janeiro, February 11, 1941) is Brazilian musician, recognized internationally.
son of a doctor, Mendes studied music at the local conservatory with hopes of becoming a classical pianist. While his interest in jazz grew, he began playing in nightclubs in the 1950's, the time when the bossa nova was born. Mendes played with Antonio Carlos Jobim (regarded as the master of Mendes) and many U.S. jazz musicians who toured Brazil.
Subsequently, in 1961, Mendes formed the Sexteto Bossa Rio and recorded the album "Modern Dance." In a tour of Europe and the United States, Mendes recorded albums with Cannonball Adderley, Herbie Mann and came to play at Carnegie Hall. Mendes
settled permanently in the United States in 1964, where he enjoyed great popularity, came to compose the music for the film "The Look of Love" and even to give concerts for Presidents Lyndon B. Johnson and Richard Nixon. His most important success is a version of the song by Jorge Ben Jor "More than anything." Wikipedia for the tango and your guests

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Sergio Mendes Sergio Mendes - Brasileiro Orquesta Tipica Imperial

Genre: Jazz, Latin, Easy Listening, Vocal, Instrumental, Brazilian, Bossa Nova
MP3-CBR 320 kbps, Lame 3.98-Total Size: 108 Mb / Total time: 52:20

Personal: Nathan East


Sergio Mendes Robbie Buchanan - vocals, keyboards, synthesizers, percussion
Carlinhos Brown - vocals, percussion, background vocals Steve
Tavaglione - flute, oboe, high & tenor saxophone
Eric Persing - keyboards, synthesizer programming
Pizzulo Joe - vocals
Joao Bosco - vocals, acoustic guitar
Gracinha Leporace
Arthur Maia
Jerry Moore - tenor saxophone Kevyn Lettau

Carlos Bala
Carol Rogers
Tiao Neto
Carlos Malta - flute, saxophone
Marcio Bahia - drums
Alfredo Muro - keyboards, synthesizers, background vocals
Carmen Alice

Claudio Jorge Claudio Nucci Maria Francisca
Monjardim
Guinga - acoustic guitar
Itiberê Zwarg
Jurema Silva
Jussara Silva Karla
Preite
Leila Monjardim
Leo Silva Lourenco Olegario

Robson Silva
Ferante Russell - keyboards, synthesizer
Invitados: Jeff Porcaro, Paul Jackson Jr., Jimmy Johnson, Hermeto Pascoal

Biography Sergio Mendes

Tracks
01. Fanfare (Cabu-Le-Le)
02. Magalenha
03. India
04. What Is This?
05. Sovereign
Moon 06. Sambbadouro
07. Ladies From Amazon
08. Kalimba
09. Barabare
10. Incantations
11. Popcorn
12. Magano
13. Cried
14. Fanfare (Despidida)
Bajar

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Orquesta Tipica Imperial

Orquesta Tipica Imperial

Typical
Imperial Orchestra is a group of young musicians from Argentina, Buenos Aires (three bandoneon players, four violinists, bass, piano and guest singer) who found in tango music with great identity that distinguish themselves as performers, arrangers and composers, markup style, full of harmonic and rhythmic richness capable of producing strong emotions in public. Throughout their tour, the OTI was brought on stage as important as the Festival de Jazz de Montreal, Quebec Summer Stage, Lincoln Center Out of Doors in New York, the Chicago Cultural Center, theaters and De Doelen Kit Tropentheater Netherlands, the National Palace of Culture in Sofia, the Victoria Eugenia de San Sebastian, among others, as well as the most important tango festivals in Argentina and other Latin American countries and Europe.
The orchestra emerged in the golden era of tango, is one of the formations
evolved into popular music. Typical Orchestra Imperial
such training takes four bandoneon, four violins, viola, bass, piano and sings and builds commitment to a purely tango sound, continues the development of the genre. Interprets
arrangements own traditional tangos (including blind Gallo, responsibility, the bend, Verano Porteno) and authorship (villero Tango, milonga El loco, A Salvador Allende, Ugly and Dirty, Facon Grande, balancing, Martha, space reserved) .
In late 2003 he recorded his first CD Tanguera Machine and is currently preparing to record the second, which will include arrangements of traditional tangos and tangos own. Musical Club and web Orquesta Tipica Tango and Tango for their guests

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Orquesta Tipica Imperial - La Maquina Tanguera Freddy Martin

Genre: Tango, Tango Orchestras, Instrumental, Vocal
320 kbps MP3-CBR-Lame 3.98-Total Size: 79.8 Mb / Total time: 39:01


Staff:
José Santucho, Karina Martinelli, Mariela Martins, Federico Morgan: violin
Damian Country: cello
Matilde Vitullo, Paul Bern and Nicolas Fontana: bandoneon
Gerardo Martinez Arguibay: Lucas Frontini
piano, bass Omar
Garre: Alfredo Piro
voice: voice (guest)

in the tags and files are read: authors, genre and date of recording
Tracks Introduction 01-voice
Osvaldo Pugliese tango
02 Machine-Instrumental-Instrumental Responso

03 04 Gallo Ciego "Arrabal amargo Instrumental
05-Omar Garre
06 07
Chique-Instrumental-Instrumental Inspiration
08 Milonga del 900-09 Grey Fox
Instrumental-Instrumental-old
10 Right Instrumental
11 Gale-Alfredo Piro
12
Ojos Negros-Instrumental-Instrumental 13 The
bend things to come-14 Download Instrumental

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Best of 1946 Roberto Alvarez

Genre: Jazz, Oldies, Big Band, Instrumental, Vocal
192 Kbps MP3-CBR-Lame 3.98. 4-Total Size: 99.3 Mb / Total time: 72:18

Biography Freddy Martin

Original recordings made in 1946
Courtesy of All Music (original Uploper)

Tracks
 01 Bing Crosby*********Sioux City Sue
02 Les Brown & His Orchestra*********I Got the Sun in the Morning
03 Frankie Carle & His Orchestra*********Rumours Are Flying
04 Kay Kyser Ole*********Buttermilk Sky
05 Dinah Shore*********You Keep Coming Back Like a Song
06 Perry Como*********Prisoner of Love
07 Ella Fitzgerald/Louis Jordan*********Stone Cold Dead in the Market (He Had It Coming)
08 Johnny Mercer*********Personality
09 Peggy Lee*********I Don't Know Enough About You
10 Freddy Martin*********Doin' What Comes Natur'lly
11 Frankie Carle & His Orchestra*********Oh! What It Seemed to Be
12 The Ink Spots*********To Each His Own
13 Stan Kenton & His Orchestra*********Shoo Fly Pie and Apple Pan Dowdy
14 Perry Como*********Surrender
15 Bing Crosby/The Andrews Sisters*********South America, Take It Away!
16 Dinah Shore*********Laughing on the Outside (Crying on the Inside)
17 Sammy Kaye*********I'm a Big Girl Now
18 Freddy Martin*********Symphony
19 Betty Hutton*********Doctor, Lawyer, Indian Chief
20 The Ink Spots*********The Gypsy
21 Margaret Whiting*********Come Rain or Come Shine
22 Perry Como*********They Say It's Wonderful
23 Les Brown & His Orchestra*********The Whole World Is Singing My Song
24 Sammy Kaye*********The Old Lamplighter
Bajar

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Orquesta Color Tango de Roberto Alvarez - Yunta Brava (Canta Eduardo Espinoza)

Genre: Tango, Tango Orchestras, Instrumental, Vocal
320 kbps MP3-CBR-Lame 3.98-Total Size: 82.3 Mb / Total time: 38:32

Color Tango Orchestra Biography

and files in the tags can be read: Date recording, authors and gender

Biography Roberto Alvarez

01 Tracks
Girlfriend neighborhood-Eduardo Espinoza
Taconeando-Instrumental 02 03 Bailemos

04-Eduardo Espinoza
Chacabuqueando-Instrumental-05 I'm still here Maypa Eduardo Espinoza
06-Instrumental 07 May
you fell short
08-Eduardo Espinoza , over low heat 09
Dream-Instrumental-Eduardo Espinoza wanted
10 Troileana-Instrumental Moon Night
11-Eduardo Espinoza
12
Solfer-Instrumental Download

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Eddie Little Ones and Alberto Olmedo

Eddie Eddie Little Ones Little Ones, Pecchenino stage name of Edward (born April 1, 1928 in Buenos Aires, m. 21 July 2000 in Buenos Aires ) was a trombonist and Argentine singer musician jazz and rock and roll and comedian. In 1957 he founded the first band of rock and roll in Argentina and made the first recordings of this kind in the country. Clan member of the Club. Conducted the orchestra of Sunday television program for youth. Mariano Mores participated with the first mega-show at the Argentina, Buenos Aires Sing to the World. Was involved in the famous sketch of Don Mateo's hairdresser. Accompanied the comedian Alberto Olmedo in the program does not touch button. He worked as an actor in twenty films. In 1965 he received the Martin Fierro Award as the revelation of the year. Eduardo

Pecchenino born April 1, 1928 in the neighborhood of Villa Urquiza in Buenos Aires, where he lived all his life. Both his father and his mother, Italian immigrants from Piemonte, were musicians, accordionist and singer first in the second choral groups.
When he was 18 he formed his first orchestra, the Jazz's College (which acted as a trumpet player Ricardo Romero, who would later form Los Cinco Latinos with his wife Estela Raval), which reached the reputation and made a tour of Chile. Then joined several bands as a trombonist as Julio Rivera, Hector and his jazz, Tulio Gallo, Marito Cosentino, Eduardo Armani and Lalo Schifrin.
In the 50's began to turn to the black rhythms that were developed in the United States, first to rhythm & blues and then rock and roll. For a time, used the stage name Eddie Parker, recording for the label Rosario Embassy, \u200b\u200ban album as Eddie Little Ones and Rhyth Band, the group that accompanied Arturo Schneider (tenor sax), Hector Pizzicatti (trumpet), Abel Pizzicatti (piano), Alejandro Schneider (bass), Manuel Chaqui (guitar and violin), John D. Flores (drums) and J. Garbuglia (accordion). The album included such classics as "The Whistling Alegre", "Smiles", "In a South Bound Train", "A Fifty-Seven and Metro Blue Eyes," "Whispering," "Rat Paseandera," "Dinah," "Jingle Bells, "" El Rock de los Santos "," Jumping the Rock "," St. Louis Blues "and" Two Hearts, Two Kisses. "
in 1957 following the success of Bill Haley and His Comets through the two films released in Buenos Aires this year, "Rock Around the Clock" [1] (1956) and "Do not Knock the Rock" [2 ] (1956), he turned full the nascent musical style that shook youth around the world and formed the first rock band from Argentina, Mr. Roll and Rocks, with Arturo Schneider (tenor sax), Franco Corvini (trumpet), Buby Lavecchia (piano) L. Rea (guitar), Banjo (bass) and Jorge Padin (drums). That same year he also recorded the first album of rock and roll in Argentina, with covers of Bill Haley: "See You Later, Alligator," "Mambo Rock", "I Cry More", "Rock", "Shake, Rattle and Roll "and" Rancho Rock. "
Shortly after Mr. Roll and Rocks in the movie "Come Dance the Rock" (1957), the first in English rock and roll music. Year following the band was chosen by Bill Haley to start the functions that American Idol gave the Metropolitan Theater in Buenos Aires.
In 1960 the group toured Europe and upon returning pequenino began exploring the world of television. Was among a group of musicians Clan Club (1963-1964), where they sang rock songs in English with Palito Ortega, Johnny Tedesco, among many others. He then directed the orchestra of the famous program for Youth Sunday.
Simultaneously, Eddie Little Ones, he began his skills exlotar humorous, working in Operation Ja Ja (where he distinguished himself by playing the Barber Don Mateo Don Mateo replacing Fidel Pintos), Nut and No Play button, the latter with Alberto Olmedo.
In 1965 he received the Martin Fierro Award as the revelation of the year. That same year he participated in the first mega-show held in Argentina, Buenos Aires called singing the world premiere at the Teatro Alvear. The play was written by Carcavallo Cacho, Martín Darré and Mariano Mores, scripted humor made by Gary and Hugo Sofovich, and ten music charts, recreating around the world and musical styles, like Paris, the Far West, Chicago, Japan, etc. . The musical cast was headed by himself and comprising Mores Violeta Rivas, Alba Solis, The Mac Ke Mac's, Ubaldo Martinez, Eddie Little Ones, The Arribeños, Nito Mores, dancers Mayoral and Maria Elena, Javier Portales, Alberto Irizar, Dayna Fridman, Naomi Kazan, Victor Valli, José Luis Paz, Osvaldo Guerrero, Mario Jordan, Lorenzo Alessandria, Oscar Ferro Daniel Cicaré.
In 1978 he suffered a stroke that limited their activities. He died on July 21, 2000, in Villa Urquiza. By Wiki Tango and your guests

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Eduardo Eddie Little Ones Armani

Eduardo Eduardo Armani Armani: a character. A box of paints and impressive talent. His father was opera singer of Columbus and he walked between brushes and easels, because it could be a great painter and attended the Petorutti friendship, Xul Solar and Spilimbergo. Also born and raised in Corrientes and Parana and had childhood escapades of fellow Juan José Castro and Astor brothers, Ennio and Remo Bolognini that would be high-level musicians. Finally decided by this branch of art, very young man joined the orchestras of Columbus and the first Symphony of the country. As a soloist accompanied Isadora Duncan in the Opera and the company of Madame Rasimi - where he played the revered Misntiguette - with the Follies Bergere, Moulin Rouge, and the Casino de Paris in the twenties. Also accompanied Anna Pavlova in the Coliseum and the Russian would take a tour through the continent. In the early 20 also roamed the jazz but strongly emphasized in the tango. Recorded in the RCA Orchestra directed Adolfo Carabelli and reinforced joint like Francisco Lomuto or Juan Carlos Cobian on the disk. It was a close friend of Gardel, who ate
times, and he congratulated him on his tango Normiña (Norminha) who had received the 2 nd prize in a competition at the Grand Splendid and Eduardo had dedicated to a girl who won in Brazil. As it had no lyrics, Gardel took it to Antonio Capone, Tabarís goalkeeper, who made immediately Morocho and recorded it on Christmas Eve 1926. At the request of Canaro, who claimed material, composed about 20 tangos. Armani-founded the orchestra Cospito (other than recorded tangos as Don Goyo) and then had his own jazz singer Helen Jackson said in aristocratic environments or dance club packs or Gimnasia y Esgrima Italian, with his partner Osvaldo Fresedo Rendez Vous in the night club. Signed joint that came to Colombia as a great success: "Santa Marta, Santa Marta, you train, but no tram. / If not for the area, heck, Santa Marta die, ay .. Ombe. " He film and his orchestra remained a hallmark of distinction. José Maria Otero's Jazzmen Tango by Tango and your guests

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Jazz Big Bands of the 30s Vol 60 April 2

Genre: Jazz, Pasodobles, direction and pace several
192 kbps MP3-CBR-Lame 3.98-Total Size: 94.9 Mb / Total time: 69:28

What better note to tell the intimate relationship of the Jazz Orchestra and the Orchestra of tango in their live performances in the decades from 30 to 60, that the story of someone who lived and is not counted: José Pedro Aresi.

This is a "curro" made not only by me. I had a little help, but this "niorse" provided very strong, because in 2002 their neurons were much more active.
Today, with regret, I dedicate this paper to the memory of "cofla" Paroni which was one day, before I found out .. flower laburante and great friend, the skinny!
So REMEMBER, this is the best way to forget.
forties, the tango and jazz summit there near. Before turning to the places where people stretch the legs, let me say without blushing that "The milonga is a disease we made at the corner of the neighborhood and that never heals."
I think I see the lights of Velez Sarsfield Atlanta, San Lorenzo, the "Sportivo Buenos Aires", Estrella de Maldonado, Social Villa Crespo, Premier (initially called Chiqué), the "West" Avenida Juan B. Alberdi, Hurricane, Villa Malcolm, Flores Arising, Villa Zahora, Palace Rivadavia, Independiente (Avellaneda and its subsidiary Flores). the Social Rivadavia, the Ideal Club Villa Lugano, "Brisas" and "Brightness" of Citadel Communications, the Four F, Pinocchio, Glorias Argentinas, José Hernández and many other clubs racing halls of fame of Argentina, Rodriguez Peña Unione et Benevolenza, the "Catedral del Tango", Palermo Palace, The Arbor, Parque Retiro, Palacio de las Flores and others - as in the case of clubs - are left in an ink that has lost its magic and watering ..
"Confectionery" or something similar, as the Nobel Lavalle, My Club (Suipacha reaching Tucuman, which existed until very recently), Sans Souci, Picadilly, Les Ambasadeur, Maracaibo and cabarets "PULENTA" which we cherish our nostalgia as Marabou, Royal Pigall, Tabarís, Tibidabo, Chantecler, Casanova, Maipú Pigalle and other "Mishi" as the airplane, Boston, California Heaven, Odeon, Eden, Charleston and many others who crouched escape from my memory. That chop boys that chop!.
addition to some dances to "Selected Recordings" not missing, salt and pepper the put the tango orchestras and jazz that inspired the dance major, generally acting in "pairs classic" I try to join in this parade pleasant reminiscences of a youth who enjoy "wildly."
For reasons of "old" start naming Francisco Canaro with Feliciano Brunelli - Hector Anibal Troilo Lomuto or Hawaiian Serenaders who ran Osvaldo Novarro - D'Arienzo with Varelita Varela - Osvaldo Pugliese with Turkish Ratip Ahmed and his Cotton Pickers - Ricardo Tanturi with Santa Paula Serenaders - Alfredo D'Angelis with Barry Moral - Osvaldo Eduardo Fresedo with Armani, which in turn were partners in the "bowling" Rendez Vois.
I need to remind the teams of Di Sarli, Angel D'Agostino, Alfredo Gobbi, Miguel Caló, Horacio Salgán and Alberto Castillo, with his own orchestra, he split from Tanturi. I assume that is a pending matter, but yet I dare say that would be hovering around these shared activities: Oscar German, Panchito Cao, Ken Hamilton, René Cospito, trumpeter Stephen. with the Savoy Jazz, Santa Anita (Rhythm of the Soul), and the San Francisco Jazz.

What more can I say?.
Much, if not because the ideas are confused and voices from the past come to mind so, nostalgia and wrapped in the mists of time. Is the price that kills us for allowing us to go through it, much longer than expected.

If I seem to be living up to that time lived on 10 March 1951, when a "Sardinian" short hair screamed, "Soldier José Pedro Aresi - Class 1930 - Registration 4499199 ... ... to which I answered proud .... Presente!.
Source: José Pedro Aresi of Buenos Aires Tango and Old by guests

Biography The Mac Ke Mac's
pequenino Eddie Biography Biography

Eduardo Armani Biography of Hector and his Jazz (Hector Lomuto)
Tito Alberti Biography

01 Tracks
Ahmed Ratip and Cotton Pickers of Buenos Aires Rumambo
02 ********** ********** Eddie Paquenino train heading in the south
Eddie Little Ones 03 ********** The gay singer Eddie Little Ones
04 ********** The Song of Eddie Little Ones 05 Jocesito
Rat paseandera
********** Eddie Little Ones 06 Whispering
07 ********** ********** Eddie Little Ones 08
Eduardo Armani Poppy and City Jazz ********** Buenos Aires (09-08-1945) 09
Jazz Eduardo Armani and Corozal and without celejo ********** (22/10/1946)
10 Eduardo Armani and his Jazz ***** ***** The crocodile man (13-04-1945)
11 ********** Hector and his Jazz Personality-1946-Evelyn (J. Mercer) 12
Hector and his Jazz * ********* Sel. Rumbas (The manisero, Carioca, The Those dressed in red and green eyes)
Jazz 13 Casino Cowboy Smith
********** 14 ********** ñana
Casinomar Jazz 15 Jazz Casino Jazz ********** Miguel
16 Solita ********** Casino and one
17 The Mac Ke Mack's ********** Up Above My Head (There's Music in the Air) 18 The Mac Ke
mac's ********** Dancing in the alvear
19 The Mac Ke Mac's ********** Just Between You and Me
20 The Mac's Mac ke ****** **** The flower of the cinnamon
21 The Mac Ke Mac's ********** Boy Sing, Sing
22 The Mac Ke Smiles
Mac's ********** 23 ********** Santa Paula Serenaders Never Had A Chance-1934 24 Tito Alberti
****** **** beer kegs Tito Alberti
25 ********** The bottle
Tito Alberti 26 ********** Sabrosito are
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Julio Sosa

Julio Sosa with Orquesta Francini Pontier

1950

Oscar Ferrari, Julio Sosa Armando Pontier and

Julio Sosa, and Jorge Duran Rotundo Franscisco

Julio Sosa

Alberto Podesta Julio Sosa

Julio Sosa: Sosa, Julio Maria. Cantor. Was one of the most popular vocal performers define the fifties and early the next until his tragic early demise. He cultivated a style characterized by his strong temperament within the compass of male voices began and imposed by Edmundo Rivero.
repertoire included classic suburban-inspired works as Ivette, baiíao I removed it, and Margot Araca heart, although their best moves interpretive caught up with the romantic and melodic tangos, as if the heart does not deceive me, anything that so / or I am. I am the boy, the house of my parents, in this gray afternoon, go early morning, Madame Ivonne exhumed many of which return them to the forefront of public interest. Born in the town of Las Piedras, Canelones, Oriental Republic of Uruguay on February 2, 1926.

won his life from childhood in various occupations and trades. It began as a singer in her hometown cafes, where the orchestra also joined Carlos Gilardoni. He appeared later in Montevideo and Punta del Este, with the sets of Epifanio Chain, Hugo Di Carlo and Luigi Caruso. With some versions he recorded for Sondor, including the tango Sur, Troilo and Manzi. In 1949 he settled in Buenos Aires where he began singing as a soloist in coffee Chacarita Losander with guitars Cut and Fontana. After a brief passage in the orchestra by Joaquín Do Reyes, Raúl lyricist Hormaza interceded for entry into the Francini-Pontier Orchestra, with which debuted at the Picadilly boite de la calle Corrientes. This stage of his career including stints on Radio El Mundo and recordings for the Victor, which was the first delas Sad Son, a waltz duet with Alberto Podesta.

July debut of the Francini-Pontier orchestra on April 1, 1949, the Corrientes and Parana Picadillyde boite. With it appears in this photo, Alberto Podesta says: "our only AquiEstamos singing duo, the waltz The Son Triste which was also the primeragrabación Sosa in Argentina. To another, with the milonga Pontier A Eyes, but as always we entered wrong and we laughed, Armando took it from the repertoire. "

In 1953 he joined the group of Francisco Rotundo then recording for Odeon and in 1955 to continue Armando Pontier his career as a freelance director, I joined as a vocalist until 1958.Ese whole year, decided to pursue a solo career entrusting the direction of his escort to lead bandoneon and arranger
Leopoldo Federico, with whom he recorded numerous versions for Columbia in which also left some interpretations of the repertoire projection Creole folk guitar frame. He appeared on television and radio, participating in the filming of the movie Good Night, Buenos Aires. Wrote and published a book of poems: Two hours before dawn. He died in Buenos Aires following a car accident on November 26, 1964. Horacio Ferrer in The Book of Tango by Tango and your guests

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Julio Sosa Oscar Ferrari

Oscar Ferrari, Julio Sosa Armando Pontier and

Armando Pontier, Julio Sosa and Oscar Ferrari FERRARI

, Oscar. (August 9, 1924 - August 20, 2008) (Family name: Oscar S. Rodriguez de Mendoza). Cantor. Born in Buenos Aires.
Its beginnings date from 1945 when he joined the orchestra as a vocalist John Caló. Then sang with Alfredo Gobbi, Edgardo Donato, Astor Piazzolla. Since 1949, paired with Jorge Duran, joined the orchestra of José Basso with whom he corresponded make a long and successful instance of his career. The Revenge tangos, I hate The Mischievous, recorded with this set, are quite representative his style and his tenor. Subsequently, sharing responsibility with Julio Sosa voice, sang in the orchestra of Armando Pontier.
then performed and recorded as a soloist. Wrote a book of memories about the nightlife.

After a short tenure in the orchestra by Astor Piazzolla joined the orchestra of José Basso teaming first with the unforgettable Francisco Fiorentino and then Jorge Duran, and then move to the Armando Pontier in which was a duet with Julio Sosa . One of his greatest successes was his interpretation of tango Rubistein Revenge of the José Basso's orchestra, which sold four million albums in the first impression. When the orchestra joined Ferrari to replace Ricardo Ruiz, took the tango, which played a style that fresediano and we printed a different feature "with a little more than mud, a little more than slums" as described by Ferrari, and when he said "I died like a dog", the phrase caught on people and so much so that in 1950, sold four million albums.
then worked as a soloist and toured art inside the country and abroad and in 1970 again joined the orchestra of Armando Pontier and in 1973 Leo Lipersker, then resume his solo career. In 1995 he joined the orchestra of Beba Pugliese, with whom he has a chance to perform in Paris. In 1997 again as soloist, sometimes accompanied by bandoneon player Carlos Missorini while giving singing lessons at the Escuela Argentina de Tango.
In the past 35 years he taught and also wrote the book Stories of cabaret, with a foreword by Julian Centeya, which recounts her experience in cabaret inside, Verses of love and barricade and to my colleagues, which outlines a human and fraternal approach the semblance of several colleagues.
acted with a great cast of veteran tango in the documentary film Coffee teachers (2008) directed by Miguel Kohan and disc Café of the Masters Vol 1 and 2 (2005) produced by Gustavo Santaolalla, which will be posted overnight. He also participated in the film's tango singer Diego Martínez Vignatti bahiense not yet released.
Ferrari was awarded the "Order of the Porteño", the "Golden Discepolín," the "Golden Homero Manzi" and in December 2002 received from the Academy of Lunfardo Porteña the "Diploma to the Glory of Tango." The law n * 2193 of the Autonomous City of Buenos Aires from December 5, 2006 declared "Outstanding Personality of Culture of the Autonomous City of Buenos Aires" to "Professor Oscar Ferrari." (Horacio Ferrer in tango book and Wiki) by Tango and Guests

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Pontier-File Orq.Armando Columbia-1957-58 with Julio Sosa and Oscar Ferrari

Genre: Tango, Tango Orchestra, Tango Singers, Vocal, Instrumental MP3
320 kbps-CBR-Lame 3.98-Total Size: 101 Mb / Total time: 51:30


Biography Armando Pontier

tags in the archives, read: authors, gender and date of recording

Tracks
01 A Doll-Great Instrumental
02 These Things of Life "Julio Sosa
03 Kiss My Love, Oscar Ferrari
-04 The Gayola Caminito Julio Sosa 05-Oscar
Ferrari
06 Never Too Late 07-Julio Sosa

Law 08 Old-Instrumental Barrio Pobre Julio Sosa-09

Entrerriano-Instrumental-10 Blood Brindis
Julio Sosa Julio Sosa 11 Grandfather-Olga-Instrumental

12 13 Revenge-Oscar Ferrari
14 One-Julio Sosa
15 , El Torito-Instrumental
16 Zorro Gris-Instrumental Cambalache
17-July 18 That Sosa
I care about your past, Julio Sosa
Guapo and male 19-Julio Sosa
Sentimiento Gaucho 20-Oscar Ferrari
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Roxana Carabajal

Roxana Roxana Carabajal Carabajal: Roxana was born on June 21, 1973, in Buenos Aires. His first year he fulfilled in the city of La Banda, Santiago Del Estero, along with their grandparents Zita and Carlos.
to the four years he lived in Ramos Mejía and five first set foot on the stage of the rock "Palo Borracho" with her dad Carlos, known as the "father of the truck farmer." While living in Palm
inadvertently and without knowing I earned the bread, going to the bakery in the neighborhood, ... I sang two verses of "The Telesita" and they would give me bills ...
As if by magic since age six, began his new life in his beloved city of La Banda, Los Lagos neighborhood.
We moved to the San Martin neighborhood, where my dad got his first rock 'Chacarera. " As she helped care for people one day he said ... Practice "That time of childhood" to sing it tonight. I was frozen! Because I knew no more than half, but still took courage and I went on stage a second time and from then on, I learned every day a new chacarera.
to 17 years and thanks to that night when his "father" asked her to sing, had the happiness
travel with him much of the country.
In '91, Peteco (now the most notable composer of folklore) decides to go out and play as a soloist and integrates it into your project. Recorded from '91 to '99 "Meeting", "Memories of Love", "Erasing Borders," "Popular Stories" and his latest work, "Walking."
... And most beautiful was out to see my country through the music and the hand of my brothers ...
In 1999, Roxana is presented in the first Cosquín Festival as a soloist and then as close within Peteco group. Four days later Roxana wins: CONSECRATION COSQUIN 1999 with the samba "The tristecita."
There are some singers from the first moment you hear them reach the deepest part of us, from the intimacy of their delivery to the subtle shading in the interpretation. Roxana Carabajal
that kind of singer. She is an artist in full, distinct, of race, which transmits its warmth in every note he plays and naturally knows how to reach the public.
Since then until today, were going records, awards, prizes, rock, dates, anecdotes and, above all things a remarkable artistic growth.
think that the best way to know what it means Roxana as an artist is not the extension of the word ... but ... see and hear is just that.
Records, awards and distinctions
January 1999: Gets the AWARD DEDICATION OF COSQUÍN with an excellent version of the samba ¨ ¨ Tristecita Ariel Ramírez.
July 2000: EDITED SPLINTER, his first solo album (his figure began to take large scale and also hits followed - would reach sales of 25,000 plates-
November 2000, was consecrated with the Gardel Award as Best New Artist of Year and was alternated for best female singer of folklore, competing for the award no less than Mercedes Sosa.
June 2003: Gets CONDOR FIRE Award as Best Performer of national folklore.
February 2003, is presented as an artist support group Nocheros ¨ ¨, after his show gets the prize CONSECRATION OF THE FESTIVAL OF TANGO AND FOLKLORE Baradero.
May 2004: He travels first to the United States and presented at the Festival Argentino en Miami. Then she was invited to sing by Fito Paez ¨ I come to offer my heart ".
December 2004: Is selected from more than 1,000 performers from Argentina and the Argentina Representative of Folklore in the INTERNATIONAL FESTIVAL VIÑA DEL MAR 2005, Santiago de Chile. Transmitted Canal 13, Argentina.
February 2005: Win the Silver Gull for Best Folk Performer in the International Festival of Viña del Mar.
November 2005 with his band is invited to Medellin, Colombia and the Republic of South American group. There, he made his first concert at the convention center of the Plaza Mayor. Roxana Carabajal and Tango and their guests

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Roxana Roxana Carabajal Carabajal - Fe Lucrecia Lucrecia Merico

Genre: Folklore Argentino, Jack, Chacarara, Zamba, Escondido, Argentine folk songs MP3
CBR 320 kbps, Lame 3.98-Total Size: 77.1 Mb / Total time: 37:16


01 Tracks of praise Escondido Fire
02 Anymaná a duet with Leon Gieco
03
exile Chacarera Vientito of Tucumán 04 05 Chacarera
Naupa time a duet with Carlos Carabajal
Zamba de Lozano
06 07 08
singer Dulce Santiago Wood South'm back

09 10 Cat Carlos
11 Do not stop loving duet with
12 Fiesta Rally Barrionuevo churita Download

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Lucrecia Merico at the Faena Hotel

Merico

Lucrecia Lucrecia Merico: Born on April 25 in the neighborhood of Nuñez. Daughter of a Brazilian mother, but family of Russian immigrants, and Argentine father, the son of Italian immigrants. Lucrecia
grew up singing with her mother in Russian songs and listening to his uncle, the bandoneon, playing tangos. Niece of Salvador Merico, composer of tangos like Guapo no group, from all of you I followed my advice olvidasy, among others. Family of musicians early twentieth century, in Italy, formed the Merico's Jazz Band.
The singing and music have always been his passion: "When I recall my teenage years as more comes to me are those evenings when my best friend Silvia sang and we spent the hours playing music. Such was my passion at that time and was the TV If you can sing and I was 14, I took the rat to go to school, participated by singing the theme Out of sight. And I won the canary Roberto Galán was awarded. I got in trouble barbarian, of course, because I had rata but many people watching me on TV and among all these people also nuns school but ... well ... Was great!. After the death of my father, my mother's fear, out in search of work and made my wedding too early to stay on hold in me what really always loved so much: singing. Meanwhile raided by other expressions of art
: I was in theater, poetry, humor. But a few years ago I decided to reconnect with what they never stopped being my true vocation. I went in search of a teacher and found the best, because the teacher Mario de Carlo is a music teacher and life. He gave me everything I needed at that time: confidence, strength, certainty and the push that you need to learn, always learn, but doing. And in doing, often close the road. But every step, every turn, every achievement is a goal in itself when you push the heart and passion ".
His career
Year 2010
Singer guest of the National Music Orchestra Argentina Juan de Dios Filiberto in concert in the Plaza de Mayo Memorial Day (March 24).
Concert at the Book Fair, held at the Fairgrounds Palermo.
monthly Cycle Classic and Modern with the show "The Mines of Tango Reo.
Recital at Bicentennial Walk (tent of the Mothers of Plaza de Mayo - 24 de mayo).
 Concierto en la Muestra Homenaje a Salvador Merico en el Museo Casa de Carlos Gardel.
 Ciclo mensual en la Academia Nacional del Tango con la presentación de distintos espectáculos.
 Participación en La Noche de los Museos 2010 con presentaciones en el Museo del Títere y la Academia Nacional del Tango.
 Presentación del espectáculo "Tangos del Bicentenario", junto a Gabriela Elena, (abril a septiembre) en distintos escenarios tales como el Auditorio de Radio Nacional, el Teatro El Búho o Los 36 Billares, entre otros.
 Presentación en el Primer Festival de Tango de La Boca.
 Directora Artistic CD "Signs of Life", which included 7 non-professional solo singers, 70 to 82, sponsored by PAMI and the Ministry of Social Development of the Nation. Year 2009


monthly Cycle Classic and Modern with the show "Tango Reo's Mines."
Concert at the Book Fair, held at the Fairgrounds Palermo.
Concert at the Centro Argentino de Teatro Ciego.
Participation in The Night of Museums 2009 with performances at the Museo Casa Carlos Gardel and Academy Nacional del Tango. Singer
guest of the National Music Orchestra Argentina Juan de Dios Filiberto in his concerts at the Bolsa de Comercio de Buenos Aires and the Cultural Center Plaza San Martín.
Participation in the Festival de Tango Queer.
series of concerts with the show "Tangos of an exhibition" La Manzana de las Luces.
Concert in the Grand National Day Milonga Nacional del Tango.
recitals at the Centro Cultural Torquato Tasso with Eduardo Tami Trio, Carlos Gardel House Museum, the National Academy of Tango, the Club Lounge, La Peña del Colorado, the Teatro Verdi Avellaneda, Sanata Bar and the Library Café.


Year 2008 Presentation of the show's Mines Reo Tango Recoleta Cultural Center, every Tuesday, from January.
; continued his performances at the Café Homero on Wednesday.
York Presentation at the Teatro de Olivos, in the framework of the celebration of International Women's Day.
;
Year 2007
cycle of concerts in the living room of the Hotel Faena, Buenos Aires, with Valeria Shapira and Betiana Possetti
series of concerts in the 36 Billiards.
Cycle at Cafe near Homer your company's tango "Labarra the suburb.
opening recital series" The music is "House of Culture of the National Endowment for the Arts.
Presentation with the show" The tango reo mines, "with Valeria Shapira: Cultural Tent - Summer 07 in Saavedra Park; cycle in the Centro Cultural Borges and presentations in the Auditorium Dante Alighieri Association, at the Teatro Presidente Alvear and Expotango 2007, under the XXIV National Tango Festival de La Falda (Córdoba).

Year 2006

Honored by Women's Voice Café Homero as Revelation 2005-2006.
stellar participation in the show "Tango reo's Mines" with Valeria Shapira singer and guitarist Hernan Reinaudo.
XXXII recital at the Book Fair of Buenos Aires City Recital in the cycle
Tango 06 in the Centro Cultural General San Martín
Participation in the VIII Festival Buenos Aires Tango
Presentation at the Cultural Center of Cooperation
Cycle in Homer Café every Wednesday with the show "Tangos prisoners and other "
Presentation of the show" Tango no group in the Stream essential Tango 2006 ", with Hernan" Cucuza "Castiello, Hernán Gabriel Genlote
Reinaudo and Presentations" La Botica Angel "by Eduardo Bergara Leumann
Guest Artist Julio Pane
Master cast member of the company "La Barra del Arrabal" and "Tango no group
presentation, along with guitarist Daniel Pérez, in the Central Hall of the City University City Buenos Aires, before an audience of 1200 students


Year 2005 is awarded by the Legislature of Buenos Aires for his valuable contribution as an artist in the dissemination of national and popular culture (September 28)
Join the 70 voices sing tribute to Gardel in the Teatro Maipo (June 24) with Estela Raval, Diana Maria, Sandra Luna and Maria Volonte including
Participation in homage to Catullus and Enrique Castillo Cadícamo made in the Golden Hall of the Buenos Aires Legislature, along with Marikena Monti, Alfredo Piro , Guillermo Galván, Jorge Guillermo, Nelly Vazquez, etc.
protagonist of the musical work, why not, Bagdad Cafe, tango and puppet show for adults, written and directed by Sarah Bianchi, at the Teatro Maipo Club Concert in the Salon Dorado de la Casa de la Cultura City of Buenos Aires
Day Concert in the Bandoneon. Sponsored by the city of Chacabuco, Buenos Aires.
Recital by Independence Day. Sponsored by the Ministry of Culture of the City of Navarro, Buenos Aires tango
lunfardos Recital, with Luis Alposta, at the Cafe Tortoni
Recital in La Peña del Colorado
Women Participation in the show of Jujuy, held at the Theatre of the Mask, along with Cristina Banegas, Veronica Condomí, Sara and Sarah Bianchi
Mamaní Recital at the National Academy of Tango (September 19)
recital at the Academy of Lunfardo Porteña
Participation in musical events performed by Eduardo Bergara Leumann, the Botica del Angel
Participation in the inauguration of the source Eladia convened by the Secretary of Culture of the City of Buenos Aires, Gustavo Lopez, with Raul Lavie, Atilio Stampone, Horacio Ferrer and Maria Jose Mentana, among other
Participation in several radio and television
Participation in the documentary made by Jorge Libster on the life of Sarah Bianchi
Year 2004 Recitals in the cycle
Notable bars, organized by the Secretariat Culture of the City of Buenos Aires
Concert in University City, Central Playón
cycle of concerts in Florida
Garden Concert in the Golden Hall of the House of Culture of the City of Buenos Aires
Participation in the cycle Tangos With History, by Gogo Safigueroa, along with Esteban Riera
participation in the tribute to Tita Merello held in the Golden Hall of the Buenos Aires Legislature Cortázar
Performing the Tango show, presented Book Fair in Buenos Aires and the city of Gualeguay
Party Involvement National Viennese Pastry Villa General Belgrano, Córdoba
star of the show, why not, Bagdad Cafe, written and directed by Sarah Bianchi, held at the Argentine Museum of Puppet
Year 2003
Recital the Theatre de la Costa (City of Vicente López, Buenos Aires). Opening of the cycle A Toda Costa
Music Concert in the hall of the Teatro Argentino de La Plata
Member of the cast of Casino Puerto Madero
Participation in the Oktoberfest (Oktoberfest), Buenos Aires
Recital in President's Office (Museo de la Casa Rosada)
Concert in the Golden Hall of the House of Culture of the City of Buenos Aires
Recital at the Centro Cultural Cooperation Foundation
Concert in Jorge Luis Borges
; participation in the show's street Postcards Torquato Tasso Cultural Center
Cycle Malasartes recitals at the bar in the neighborhood of Palermo Soho, Buenos Aires National Radio Recital



Concert in Year 2002 Isaac Fernández Blanco Museum
Concert in the Golden Hall of the House of Culture of the City of Buenos Aires
Recital at the National History Museum
Concert in the Aula Magna of the Faculty of Medicine of the University of Buenos Aires
Concert in the tent Tango Bar, organized by the Ministry of Culture of the City Buenos Aires, during the World Basketball Championship in the Luna Park Stadium Tour Chile

Year 2001
AB Chamber Recital at the Centro Cultural General San Martín
Recital in
Mataderos Cycle of concerts in Classical and Modern
Concert in the Cafe Tortoni
Opening Notable Bars cycle
Concert in the Recital
Complejo La Plaza Café in Homer
Recital at Esquina Homero Manzi
Trilenium Casino Concert in the Tigre, Buenos Aires province in Recital
Saavedra Historical Museum

Year 2000 Concert in the studio of William Roux
cycle of concerts in the Recital
Centro Cultural Recoleta Cultural Center South
Participation in the series organized by Buenos Aires Music (BAM)

Year 1999 Concert in the Festival II Buenos Aires International Tango, organized by the Ministry of Culture, Government of the City of Buenos Aires
Concert in the cycle Las Voces Del Tango, in the Miguel Cane Room of the Ministry of Culture of Argentina
Participation in various Programs cable TV channel Solo Tango
cycle of recitals at the National Library
Recital at the Faculty of Economics, University of Buenos Aires

Year 1998
professional debut under the Festival I Buenos Aires International Tango Concert in the cycle
Voices of Tango in the Sala Miguel Cane Secretary of State for Culture

Gandhi Recital Concert in the Dry Plaza San Martín Cultural Centre Of Lucrecia Merico
by Tango and Guests