By J. Potter Oscars Viewed from Hollywood
Judge
something like the Academy Awards, which reaches its 83 edition, by the lights, the designers, the action sequences, the cheap laughs and unjustified or preconceived stories is to see the problem too close, getting into the same bag authentic works of art films, about this time according to my two companions, would be great on a bus trip along the highways of Colombia, but not in the historic night with the best film. So what's the problem? We split, and hopefully short because I want to talk about the films this year.
's start with those who speak out are not good films but good yields. Recognizing that in the top flight have been films like The Return of the King (2003), Titanic (1997) and Braveheart (1995), none of which helps me to the point you want to show poor quality due to its narrative, we also Terms od find Enderarment, James L. Brooks, Amadeus and One Flew Over the Cuckoo's Nest, both of Milos Forman, Annie Hall, Woody Allen, The Silence of the Lambs, Jonathan Demme, and Crash, by Paul Haggins, to name just a few in the last 30 years because if we would follow back to Casablanca, My Fair Lady, Gigi, West Side Story, In The Heat of the Night, Patton, The Sting and The Godfather, just to name a few cinematic masterpieces and let my colleagues something validity in his argument and not end the discussion in the second paragraph ... And by the way, what a coincidence, made by major studios in Hollywood.
is true that from this corner of Los Angeles are sometimes very successful unspeakable things, but so is that many of his films have earned a place in the Oscar nominees for justice and intrinsic quality. But okay, let the argument a bit 'anti-imperialist' lover's 'art film' against big business. Enter the nominees this year there are films such as Blue Valentine, Winter's Bone and The Kid Are All Right, made low parameters advocated by opponents of the Academy, as independent films, low budget and wonderful stories.
Finally the issue of directors, only with the intention of making clarification. From the producers of "blockbusters" only Steven Spielberg (Schindler's List and Saving Private Ryan) and James Cameron (Titanic) have won awards for Best Director. The rest we find names such as Frank Capra, John Ford, Billy Wilder, William Wyler, David Lean, Mike Nichols, Robert Redford, Bernardo Bertolucci, Sam Mendes, Roman Polanski, Ang Lee and Martin Scorsese, all characterized by their poor quality work and poor narrative.
Someone very wise I have for once told me that the film can not have opinions inquisitive, as the richness and variety of his art is impossible to reach universal consensus. But the fact that in the last 30 years, winning for best picture have raised four billion dollars and is recognized directors and actors who subscribe to The E True Hollywood Story, does not make the products recognized in this evening are second-hand materials.
might agree that the whole issue of 'Red Carpet', journalists who know little of film adorn his time on radio and television with nonsense and mafia behaviors in some studies, are a disgrace to the party . However what is recognized if there is a reference indicator and the quality of products made for the cinema in the world.
Ahora centrémonos en las películas nominadas para este año, en cualquiera de las categorías. Tengo que recomendarles primero mi favorita, The King’s Speech, de Tom Hopper con espectaculares actuaciones de Colin Firth, Geoffrey Rush y Helena Bonham Carter, que cuenta la historia del rey Jorge VI de Inglaterra que sin esperarlo tuvo que suceder a su hermano Eduardo VIII luego de que este renunciara para consumar su amor con la americana Wallis Simpson. Es un film perfecto en su tiempo, en el trascurrir de la narración, en las representaciones de los personajes, en su fotografía y sobretodo en su respeto histórico que, aunque el director took some dramatic license, make this work becomes a party to the club they belong to predecessors such as Patton, Gandhi, All the President's Men, All Quiet on the Western Front and Downfall.
Very close is The Black Swan, another masterpiece from Darren Aronofsky, which certainly will lead the next Wolverine, which included a Natalie Portman is a look inspired kaffkiana the glamorous world of classical ballet and above the legendary piece of Tchaikovsky's Swan Lake. Displays a hidden world behind the shoes and tutus, with wonderful shades of madness that make this a wonderful film and an instant classic.
I also recommend Biutiful, Alejandro González Iñárritu, The Kids Are All Right, by Lisa Cholodenko, and Winter's Bone, Alix Madigan and Anne Rosellini, who probably will not win any major categories, but they are films that worth seeing again and again.
is to be hoped that the liberal master narrative in the U.S., Aaron Sorkin, won for his work on The Social Network, Toy Story 3 maintains the dominance of Disney in the animation category and see who takes the prize side, which this year have a particular quality in all its interpretations, especially those of Christian Bale Geoffrey Rush, Melissa Leo, Hailee Steinfeld and Helena Bonham Carter.
is a night to recognize the best films, to witness his magic and keep the stuff that cable television has permeated the party.
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