By: Jairo Potter
At the request of The Capo, we will try to make our posts a little shorter, seeking to have a better chance of interaction with each of you.
With this idea, the truth, I was doing a favor at this time, because although I plead defender of some examples of the genre, romantic comedies are becoming a problem for the world of film or if wants un ejemplo de películas hechas a la carrera y con actores estereotipados, ya sea por su 'calidad' o por sus éxitos pasados.
Arranquemos con la reivindicación del género con películas maravillosas como Sabrina, con Hepburn y Bogart, Pretty Woman, con Julia Roberts, o Notting Hill y Love Actually, protagonizadas ambas por Hugh Grant (responsable de algunos de los mejores y peores ejemplos de este género) en las que la mezcla entre el amor y la comedia se ven maravillosamente representados. Historias bien estructurados, personajes definidos y, aunque responden claramente a las fórmulas establecidas (cuentas de tale), Beautifully situations expressed in images. In short, wonderful films.
The problem is that lately we have found such terrible examples Where is the Morgan?, Valentine's Day and The Bounty Hunter. Stories told badly, badly armed and badly estalarizadas especially by "stars" like Jennifer Aniston (which should accept a Friends movie as soon as possible because it goes toward the abyss), Sarah Jessica Parker, Ashton Kutchner or George Lopez.
are perfect examples of how to build a disaster in the history of cinema. And the worst is that lockers are goes well, ensuring even even worse consequences.
forward
Summer leaves us hope in such films as Mourning Glory, starring Harrison Ford, or the next jewel to bring geniuses like Richard Curtis. Let's wait and see.
0 comments:
Post a Comment